OUTLINE: Katriena Knights & Allie McKnight, INS and OUTS of EROTIC ROMANCE: what editors are begging for

INS and OUTS of EROTIC ROMANCE:
what editors are begging for

Allie McKnight (aka me!)  & Katriena Knights

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1. Do You Need a Sex Scene?

Structure
Genre
Editor says
Sexuality as revelatory

2. What is a Sex Scene?

Explicit material – breakout on genre, companies
Love scene, romantic arc or otherwise

3. A Sex Scene is a Scene (or a Sequel)

Deb Dixon – GMC
Jack Bickham – Scene and Structure
Purpose
Beats

Exercise 1: Get creative with your love scene.
Premise: A love scene should have a purpose, such as to develop character, plot, or conflict.
Instructions: Think of type of scene you need in a story. Figure out a way to make that scene a love scene. Frex, Meet-cute, Black Moment, Turning Point.

4. Maintain Tension

Climax as a lessening of tension
Making it worse—emotional revelation, intellectual revelation, secrets & lies, action, big brewing trouble point
Sex on the run—make sure it makes sense

Exercise 2: Keep the tension high.
Premise: A sexual climax is of necessity a lessening of tension, but a story should ratchet up the tension ’til the end.
Instructions: Think of ways to re-introduce tension after a sexual climax, or continue it through the climax.

5. Mechanics—Lube & Oil

Anatomy—know, don’t tell
Keeping track of body parts and clothes
Read the experts not the erotica
Non-normative physiology (aliens, vampires, etc.)
Consent, condoms, lubrication, experience

6. Trendspotting—Fifty Shades of Don’t Jump on the Bandwagon

Everyone else is doing it isn’t a good reason
Research, research, research
Understanding power exchange
Toys and kinks

Exercise 3: Motivate, Motivate, Motivate.

Premise: Like everything else about a character, their sexuality, sexual desires, and sexual acts have to be motivated from within the character.
Instructions: Motivate a really specific desire or kink; then come up with a way to make something kinky essential to your story.

7. Avoid the Cookie Cutter

No two encounters are the same, plot and character
What do you call it? the language of parts
Setting

8. Techniques

Use all the senses
Pan & Zoom
Krav Maga
2-Minute warning
OMG Don’t – what not to do
Avoid over the top orgasms

Exercise 4: Use All the Senses.

Premise: Effective sex scenes rely on evocative and character-specific description.
Instructions: Conduct a sensory interview with your character. Ask them to describe their environment and/or partners in their own words, using all of their senses. Don’t forget any extra senses, if your character has them.

9. Publishing Houses

Loose Id — we’re not looking for just kink, but chemistry, romance, story. 
Changeling, Samhain